Darren Latham - Lord of Blights Masterclass - Part 02: Painting the Skin
Here we are on to part 2 starting off with a black primed miniature we were to tackle the largest area of the miniature, the skin...
To say I was a little worried about trying to follow this series just looking at the thumbnail on the skin video would be an understatement. Just look at that blending, it's gorgeous!
And that should be following shortly.
Until then, take care.
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To say I was a little worried about trying to follow this series just looking at the thumbnail on the skin video would be an understatement. Just look at that blending, it's gorgeous!
Right off the starting post I hit my first bit of difficulty. Mr Latham paints with such extremely thinned paints it's mind boggling. It feels like painting everything with glazes. He said the first skin colour above might take 4-5 coats to get a solid colour, maybe more...
10... It took me 10 coats of extremely thin paint to get a solid base colour... Well it was done, now to move on to the next step.
Basically... You are told to cover everything bar the very deepest recesses with a new colour mix, because the previous colour is just used as the foundation for this one... Okay, done and moving on...
Now... New colour mix... Cover everything you've just done again, leaving only the deepest recesses, because the last colour is just the foundation to build up to this one... this was the point I started to question my life choices... :D
I took a breath, let go of my preconceptions and just decided to enjoy the process. Every new mix was really thinned down and glazed up more and more, very subtle to begin with.
I did start to have some problems with the paints breaking down and turning gritty at this level of dilution and had to keep playing with it to get it to just the right level to keep on glazing and highlighting up.
The very final highlight colour I was finding very problematic. No matter how I played with the dilution level, it was either too thick or thin/gritty and just kept breaking down. I've found I've had this problem with a lot of the very lightest white/off-white citadel paints. So at this point I made the executive decision to use a couple of drops of airbrush thinner in the mix. Problem solved, left a little satin sheen and I used a little Lahmian Medium to matte it down again.
The skin just suddenly started to come to life with the glazes of additional shading bringing everything together. Then the buboes and rent flesh was glazed and shaded and we reached the end of this video. The fatty layers beneath the skin and some blue areas were added to add some variety.
The following images are the skin stage complete.
I was really surprised how well it turned out, even after the little problems I had experienced and was really excited to move on to the next part of the series.
And that should be following shortly.
Until then, take care.
That is pretty great looking! how long would you say it took you to get to that stage? Thinned paint dries fast, but 20+ layers...
ReplyDeleteMy hobby time is usually broken up quite a bit during the day with school runs, daily shopping and whatever needs I have to meet for my partner and my mother during the day. So it's a bit disjointed and it'll have to be a rough estimate here.
DeleteI'd have to say it was possibly in the range of 5-6 hours. But that seems in the right ball park figure for what Mr Latham states in the videos about painting time. He says a display/character figure like this when painted in the 'Eavy Metal studio would probably take a week to paint. That's 5, 8 hour work days. And from what I experienced I can believe it.
Following this series so far has given me a healthy respect for the amount of time professional/competition painters put into pieces for like say Golden Demon. It's miles away from the way I normally paint, but has been an interesting learning experience.
Yeah, that would be the majority of my hobby time for the year...
DeleteYeah it feels pretty time intensive, but it may be faster/slower for others. i'm habitually a slow painter, I really have to knuckle down to paint anything with any speed so that might be playing a part in this.
DeleteI've been working on this figure and switching out to building/painting other things at my normal pace/standard, so it's been nice to have options at the table depending on how I actually feel like working at that time.
Greeat reading this
ReplyDelete